ELIGIBILITY

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ELIGIBILITY FOR THE HENRY AWARDS

In a change from last year, the Henry Awards will consider the following formats for entries:  

  • Feature-length documentary films (40 minutes or more) 
  • Short documentary films (less than 40 minutes)  
  • Episodic documentary series (up to three episodes for consideration) 

No more than TWO entries may be submitted by a single production company, studio, streaming platform, or distributor. A project can only be considered once (example: a project that submits at its theatrical stage is not eligible to resubmit in a later year at its broadcast stage). Filmmakers should coordinate with their production companies, studios, streaming platforms, distributors, etc., to avoid duplicate submissions per year. Projects that have been previously submitted by film teams for the 2025 Henry Awards are not eligible. 

To be eligible for the Henry Awards, a documentary feature film, short, or series must meet the following criteria: 

  • The entry must exhibit the qualities of the Henry Awards core values (listed below). 
  • The entry must address a topic of significant public interest with clear relevance to public policy, civic life, or social justice in the United States at the local, regional, or national level. The entry should demonstrate or aim to catalyze public understanding using journalistic methodologies in the film’s creation.  
  • The entry may be distributed through any platform (broadcast, streaming, online media, theatrical) but must be publicly available in the United States prior to submission. Films/series with no form of public distribution are not eligible. (This includes student films/series or films/series that have only engaged in festival circulation at the point of submission.) 
  • The film/series qualifies for the Henry Awards if it has premiered on broadcast, online, or in theaters to a U.S. audience during the eligibility period of September 1, 2023, to March 31, 2025. A project can only be considered one time (example: a project that submits at its theatrical stage is not eligible to resubmit in a later year at its broadcast stage). Projects that have been previously submitted by film teams for the 2025 Henry Awards are not eligible. 
  • International co-productions are eligible if the subject matter centers on or has direct impact on issues or policy in the United States. 
  • An entry in a language other than English must be accompanied by on-screen English subtitles. 

HENRY AWARDS CORE VALUES

The Henry Awards prioritize five core values in its evaluation of nominated films:

The Henry Awards understand the phrase “advancing public understanding” to mean:  

  • the film/series addresses critical topics in the public interest, 
  • the film/series has an impact on public perception or attitudes,  
  • the film/series plays a role in shifting public policy or exposing individual or institutional malfeasance,  
  • the film/series inspires progress in public behaviors or public life, and/or
  • the film/series makes a significant archival contribution to the public record. 

We are committed to honoring those films/series that have a significant impact on civic understanding; however, the Henry Awards do not define “impact” as advocacy or organized activism. While both documentary filmmaking and journalism seek to provide accountability and provoke change, documentary impact tends to be more diffuse, long-term, and, at times, the filmmakers take an active role in building movement momentum towards change. Journalistic impact is often immediate and focused on tangible outcomes within public discourse and accountability. The Henry Awards are informed by an understanding of impact that originates in journalism, expands through documentary, but stops at active advocacy or polemical positions.

Please note: the Henry Awards do not prioritize films/series whose primary aim is advocacy or artistic experimentation—unless those are in clear service of civic understanding and factual clarity.

Guided by a mission to honor films that build trust in documentary filmmaking as a public good, the Henry Awards’ editorial standards include the following:  

  • Editorial Independence – The filmmakers’ autonomy was protected throughout the filmmaking process, safeguarding against undue influence. 
  • Accuracy and Sourcing – The filmmakers practiced rigorous research methods and strove for truthfulness and reliability in the portrayal of individuals and events. Strong candidates in this area showcase: expansive curiosity and depth of inquiry; multiple credible sources; and a commitment to clarity and complexity in addressing systemic issues.
  • Fairness – The film/series avoids intentional bias or distortion in presenting its findings and is mindful of diverse perspectives.  
  • Transparency – Openness about sources, methods, and any content alterations is shared with the audience to secure their trust. This includes any use of Generative AI. 
  • Accountability/Duty of CareThe filmmakers take responsibility for their work’s impact seriously, encouraging reflection on ethical considerations and the potential consequences of storytelling choices for audiences, their production teams, and the people who appear and participate in the film. It entails protecting the well-being, dignity, and safety of individuals featured in the film/series, ensuring informed consent and respectful representation and extends to the accuracy and fairness in portraying complex issues, avoiding harm or exploitation, and minimizing potential risks associated with filming, particularly sensitive or contentious subject matter, or working in locations that are clearly dangerous.
  • Accessibility and Clarity – The film/series explains complex issues in ways that are engaging and understandable to non-specialists.

Courage compels or allows an individual to do what they believe is right, despite fear of the consequences. Courage in documentary filmmaking emanates from the director and crew’s staunch commitment to bearing witness to untold stories, often in challenging or hostile environments, and sometimes for long periods of time. It requires a steadfast resilience in the face of obstacles, and a willingness to embrace discomfort and uncertainty. Documentary filmmakers demonstrate courage by navigating political and ethical complexities, and work in collaboration with their subjects to get to the heart of the issue they are examining.   

Participating in a documentary often demands a radical personal transparency that can come with great personal risk but demonstrates a commitment to truth-telling and vulnerability despite potential consequences. It signifies the willingness to expose oneself to physical danger, reputational danger, social stigma, emotional turmoil, censure, censorship, or even exile to share authentic experiences, challenge prevailing narratives, or advocate for marginalized voices. This kind of courage lies in a refusal to remain silent in the face of adversity and a belief that through a radical transparency captured by film, it may catalyze empathy, understanding, and social change.

Excellence in investigative and research methods in documentary filmmaking encompasses expansive curiosity, meticulous inquiry, and ethical integrity throughout the filmmaking process. It involves the thorough examination of sources, verification of information, and the pursuit of multiple perspectives in presenting complex subjects or uncovering hidden truths. Documentaries demonstrating excellence in investigative and research methods should showcase a deep, focused understanding of the subject matter and employ credible sources to support their narrative.

Defining artistic excellence in documentary encompasses a multifaceted approach that considers creativity, innovation, craftsmanship, and emotional resonance. It involves evaluating how the formal components of a film give the work its distinctive shape and character, allowing for unique expressive qualities that enhance the issues being examined in any film. 

Irreducible to technique, form will be considered in aesthetic terms as well as in the root of the filmmaker’s voice, and interdependently with the documentary’s content.

HENRY AWARDS CALENDAR

OCT 20,2025

Submissions Open

NOV 21,2025

Submissions Close

FALL 2026

Awards Ceremony and Symposium

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The Henry Awards for Public Interest Documentary are a program of the Shorenstein Center’s Documentary in the Public Interest program—part of the Harvard Kennedy School research center, which is dedicated to exploring and illuminating the intersection of press, politics, and public policy in theory and practice.